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Biography
Alberto
Magrin was born on Dec 29th 1970 in Rapallo (Genoa-Italy). He
studied architecture at Genoa University. He won a study grant with the
sculptor Arnaldo Pomodoro at Urbino University and later began a
theatrical experience. He received the prize "Libertas" for visual art and
literature from Mr Ferri, Member of the European Parliament near
Italian Academy "Gli Etruschi" and in Turin collaborated to the foundation
of the Scientific Association Gustavo Adolf Rol with the aim to
demonstrate the victory of the man over the time through the individual
attitude of the spirit. In the meantime he has been awarded with the title
of Associated Academic of Verbano by the International Academy
Greci-Marino for the letters, arts and sciences.
He founds the International Organization of Digital Art Onda. 2007 received International Prize of Literature and Poetry "New Letters"
in Naples by the Italian Institute of Culture. With a series of
donations he made a proper world net of gallery denominated by him self Magreen
Gallery which is a work of art, are really located in public
and private
institutions in which case eliminate every source of gesture and control in
there personal work.
He
designed the Museum of Contemporary Art the Light in the Cross to allow international artists to build their
own permanent space and communicate with the relationship between them and
eternity.
Prevision and symbol of “eternal nothingness" of
this project which represents the falling and the rebirth of the modern
era. The art-works involved are at the moment present in permanent
collection the most important in the world:
The British Museum
London, MOCA
Los Angeles,
Stiftung Museum Kunst Palast Dusseldorf,
Spazio
Oberdan Milano,
Staatliche Kunstsammlungen
Dresden, Musèe desBeaux Arts de
Lyon, Galleria Civica di Arte
Contemporanea Trento, CAM
Casoria Contemporary Art Museum, The State Hermitage Museum
St.Petersburg.
He
uses any artistic language experimenting with new techniques.
He lives and works between Godiasco, Rapallo and S.Maria Coghinas.
Critical
note
The
artist exposes a series of interesting works of art that upset the
traditional perception of the space, form and technic. Shocking
manifestations that from their provocatory simplicity assume a new and
unexpected polemic and idilliac language at the same time. (N.
Villanti)
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